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Q & A with director Paul Jay Award winning documentary "Wrestling with Shadows" based on buildup to SS97 Awards for "wrestling with Shadows" Reviews of "Wrestling with Shadows" Facts about the Montreal screwjob
   


Boston Herald

ARTS & LIFESTYLE
VIDEO; Riveting documentary manages to pin down WWF
Paul Sherman

06/20/1999

Boston Herald

"It's far more real than people think," says Bret Hart of his field of
endeavor, professional wrestling.

After watching the phenomenal "Hitman Hart: Wrestling With
Shadows" (Trimark), I'd defy anyone to disagree.

As gripping a documentary as you'll see, "Wrestling With Shadows"
was in many ways the result of a happy accident. Writer-director Paul Jay
had started out making a simple profile of Hart, the veteran

World Wrestling Federation star from Calgary. Hart had broken
through as a main-eventer and world champ after wrestling's
early-1990s steroids scandal returned some emphasis to smaller,
more athletic wrestlers.

But the intended portrait of a Canadian hero changed, due to the
events of 1996 and 1997, and the unprecedented access the WWF
granted the filmmaker offer an incredible you-are-there view.

Hart's WWF contract expired, and he weighed his loyalty to WWF
honcho Vince McMahon against a big-money offer from competing World
Championship Wrestling. Choosing the WWF's 20-year contract over WCW's, Hart was then persuaded to change his persona to an anti- American "heel" and have McMahon tell him that the company couldn't afford to fulfill that contract.

The WWF world champ again by now, Hart was able to agree to
terms with WCW and give the WWF his notice. But Hart was
pressured by McMahon to drop the title at a pay-per-view show in
Canada. It was the one place Hart, who had "reasonable creative
control" of his last month's matches written into his WWF contract,
refused to lose. The result was McMahon double-crossing Hart in the
Montreal match against Shawn Michaels, deviating from the
agreed-upon finish so that it appeared Hart submitted - the most
controversial ending to a wrestling match in decades.

The movie juggles Hart's dilemmas terrifically, economically giving
the viewer the behind-the-scenes info needed to bring out the drama of his
predicaments.

Jay makes his movie about much more than wrestling. It's about
integrity, dignity, fathers and sons (Bret and wrestling-icon father
Stu, Bret and father figure/boss McMahon, Bret and young son
Blade) and loyalty (among family members, employee and boss,
fans and stars).

And it's also about the storied Hart wrestling family - Stu's eight
sons all went into wrestling, and his four girls all married wrestlers -
with the recent death of Bret's brother Owen in a wrestling-match
stunt giving it an added poignancy.

         
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