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Q & A with director Paul Jay Award winning documentary "Wrestling with Shadows" based on buildup to SS97 Awards for "wrestling with Shadows" Reviews of "Wrestling with Shadows" Facts about the Montreal screwjob
   


The Independant - London

SPORT ON TV: The sadist, the loving father and a knockout end
GREG WOOD


11/07/1999

The Independent - London

(Copyright 1999 Newspaper Publishing PLC)


THEY DO not care much for grey areas in the full-on world that is
"Dubblyer Dubblyer Eff", unless you count the eternal question of
whether the whole Lycra-clad shebang is sport or entertainment.
You're a good guy or you're a bad guy, and there's an end to it. But if
you think that's as much as anyone needs to know about professional
wrestling, you obviously didn't catch Hitman Hart (BBC2) last night.

Bret "The Hitman" Hart was the hero of Paul Jay's enthralling film,
and he made for a good one, having had 14 years' practice as the
No 1 Hero in a field where there is plenty of competition. Hart was
born into wrestling, with seven brothers who also became wrestlers,
and four sisters, who all married one. And their father is Stu Hart, an
ex-pro wrestler and - from most angles at least - a full- time sadist.

At school, all the other kids thought they were "the weird wrestling family". So what would they have thought if they had known what Stu
was up to in the basement? The Harts grew up with screams coming
from the "dungeon" below the living room, where dad was
demonstrating neck locks and full nelsons to aspiring wrestlers. Even
in his 80s, he is doing it, taking iron-pumping 20-year-olds to the brink
of oblivion with educated twists and tweaks of their limbs.

The Hart boys found one man's pathetic pleading for mercy so
amusing that they taped it. In a voice which oozes contempt, Stu
keeps telling him to "have some discipline". But all the time, they
knew well that soon, the screams would be theirs. Bret could
"remember my dad squeezing me so hard that the blood vessels
would burst behind my eyeballs. I'd go to school the next day with red
eyes. You'd be screaming, begging for your life, which Lord knows I
did on numerous occasions. My dad was always screaming in my
ear, `you've breathed your last breath', and I can remember that
ringing in my ears lots of times and thinking, `I probably have'."

Child abuse, most people would call it. But Bret, as is often the way,
couldn't see it like that. "He sounds like a sadist, almost a
psychopath," he said, "but you've got to know my dad to know that he
isn't. He's just a big, gentle, loving guy."

This was just one of the contradictions which Jay unearthed below
the surface of a business which appears to deal in certainties, from
the characters involved to the ultimate triumph of "good" over "bad".

There are the wrestlers themselves, who look like steroid-fuelled
meatheads to a man. Yet Hart, who provided the film's commentary,
quickly showed himself to be smart, eloquent and thoughtful. Another
wrestler, while tying up his 30-hole boots, revealed that he had a
degree in business and was busily developing a 100,000 square-foot
shopping mall in his spare time.

Hart himself turned out to be the biggest contradiction of all. In face
of competition from a new wrestling circuit run by Ted Turner,
WWF's ratings were dropping through the canvas. Vince McMahon,
the "creative genius" behind WWF, decided to try something that no
one had tried before. He would turn his No 1 Good Guy into the No 1
Bad Guy.

Difficult, you might think. In fact, it was easy. Hart, a Canadian,
simply walked into the ring in America and started pressing the button
marked P for patriotism. And this being wrestling, he pressed as
hard as he could. "Last week," he told a huge audience in Pittsburgh,
"I said the United States of America was one giant toilet bowl. And if
you were going to give the United States an enema, you'd stick the
hole right here in Pittsburgh, Pennsylvania."

The fans all booed. They had loved him for years, but now they hated
him. Except in Canada, that is, where the Hitman remained a Good
Guy. "Canada is a country where we still take care of the sick and the
old," he told an adoring Calgary. "We still have health care, we have
gun control, Canada isn't riddled with racial prejudice."

But the greatest irony was saved until last. After years of fighting
phony bad guys, Bret couldn't recognise the real one in front of him.

Everyone else could see McMahon was running WWF for no one's
benefit except his own, that for all he cared about them, the wrestlers
could be performing chimps. Such was Bret's naive loyalty he turned
down $9m from Turner's WCW, and signed a 20-year deal with the
WWF. Even when McMahon wanted to break the contract less than a
year later, Bret still believed him when he said he would allow his last
bout to finish as an honourable draw.

McMahon, inevitably, stitched him up. Hart left the WWF as a loser in
front of his home fans in Canada. Touchingly, he seemed genuinely
surprised and upset. McMahon locked himself in his office
afterwards, but Bret just marched in anyway, and punched him so
hard that he knocked him out cold.

It was a thought-provoking end to a story beautifully told. You
probably started out with at least a hint of disdain for the fans packing
the stadiums to cheer and boo at mock violence. But here was some
real violence, and guess what? It was far more satisfying than the
fake stuff.

         
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